This is of course not the last we see of Ryle. He just happens to be the brother of Allysa (Jenny Slate), the quirky rich and bored housewife Lily hires to help her run the Cottagecore florist shop of her dreams. Although Lily repeatedly insists that she just wants to be friends, Ryle pursues her, ignoring her many pleas just as flagrantly as she ignores all his red flags. Lust is a hell of a drug.
Quickly, Ryle’s negs and flirtatious barbs ramp up, transforming into toxic jealousy and other forms of obsessive behavior. This includes inviting himself to dinner with her mother by dropping the L-word for the first time, one of several such instances of emotional manipulation he brandishes like a silver-tipped dagger. Before she knows it, Lily is not only in a relationship she didn’t really want, she herself becomes an outlet for Ryle’s raging temper.
The early scenes of Lily and Ryle’s volatile courtship are interwoven with scenes in which teenage Lily (Isabela Ferrer) falls in love for the first time with a schoolmate named Atlas (Alex Neustaedter). The soulful boy is squatting in the abandoned house across the street from hers, fleeing his mother’s abusive boyfriend. The generous and nonjudgmental Lily offers both aid and friendship when Atlas needs it the most. He in turn offers her a caring shoulder and a safe place to finally express the fear she feels as she watches her father physically abuse her own mother over and over again.
These scenes are innocent and tender, the two young actors imbuing the teenagers with just the right balance of world weariness from the violence they’ve already endured and the irrepressible hope that comes with youth. Yet, Baldoni and his team of editors (Oona Flaherty and Robb Sullivan) can’t quite find the right balance between these scenes and the more erotic and violent scenes featuring Baldoni and Lively. However, once Brandon Sklenar (doing his best Harry Connick, Jr. in “Hope Floats”) enters as the grown-up Atlas, he is able to craft an effortless, natural chemistry with Lively that is nearly as strong as these early moments, although they both are far too fleeting.