Cannes 2024 Video #6: Ben Kenigsberg on The Substance, Anora, Emilia Perez, and Napoleon | Chaz at Cannes

Chaz Ebert Chaz is the CEO of several Ebert enterprises, including the President of The Ebert Company Ltd, and of Ebert Digital LLC, Publisher of RogerEbert.com, President of Ebert Productions and Chairman of the Board of The Roger and Chaz Ebert Foundation, and Co-Founder and Producer of Ebertfest, the film festival now in its 24th … Read more

Cannes 2024: Sean Baker’s Anora wins Palme d’Or | Festivals & Awards

He continued: “This means making feature films intended for theatrical exhibition. The world has to be reminded that watching a film at home while scrolling through your phone and checking emails and half paying attention is just not the way, although some tech companies would like us to think so.” Among others, Baker thanked Madison; … Read more

Sean Baker’s Anora wins Palme d’Or at Cannes Film Festival

Sean Baker’s Anora took home the Palme d’Or at this year’s Cannes Film Festival, while Jesse Plemons, Selena Gomez and more also won. The 77th Cannes Film Festival has come to a close. As with every year, the festival was host to its share of standing ovations, divisive screenings and debates over just which films … Read more

Cannes 2024: The Seed of the Sacred Fig, All We Imagine as Light, The Most Precious of Cargoes | Festivals & Awards

Payal Kapadia was one of the most exciting names announced for this year’s competition. Her debut feature, “A Night of Knowing Nothing,” which screened in Directors’ Fortnight three years ago, was a distinctive, politically charged hybrid film that melded documentary and archival footage with a fictitious voice-over to reflect on student protests and casteism in … Read more

Cannes 2024: On Becoming a Guinea Fowl, The Village Next to Paradise, Viet and Nam | Festivals & Awards

A cool and collected Shula (Susan Chardy) drives into the opening scene dressed like Missy Elliott in “The Rain” music video. When she comes to a sudden stop, she sees a body lying in the street. It belongs to her Uncle Fred. When she concludes that Uncle Fred is dead, Shula isn’t overwhelmed by grief. … Read more

Cannes 2024: My Sunshine, Rumours, The Balconettes

I can’t think of three films more tonally disparate than these. There’s a coming-of-age drama with queer elements, a raucous apocalyptic satire, and a feminist ghost film. The first, “My Sunshine,” competes in Un Certain Regard. The other two, however, are genre films playing out of competition. The latter two are particularly fascinating because this … Read more

Cannes 2024 Diary 2: International Genre Picks

Beyond the competition, there are dozens of other films to be captivated by here at Cannes, many solidly fitting under the “genre” umbrella. For decades, these films have never received the respect of auteur-driven institutions like Cannes. But given the state of the global marketplace and how these elements of action, horror, etc. have proved … Read more

Cannes 2024: Grand Tour, Motel Destino, Beating Hearts | Festivals & Awards

There’s a warning up front for viewers sensitive to flashing imagery, but Aïnouz might also have provided a cautionary note about the palpable dampness and odors of the movie’s titular sex motel, even if you can’t technically feel or smell them. Iago Xavier plays Heraldo, the handy slab of beefcake who holes up at the … Read more

Cannes 2024: Marcello Mio, Parthenope, Elementary | Festivals & Awards

Over the course of the film, which Honoré wrote and directed, Chiara strikes up a friendship with a lovesick British soldier (Hugh Skinner) who initially doesn’t know who she is, which is liberating. She  takes in a good dog she spots in Paris. And she starts dressing up as Marcello—persuasively enough for Marcello’s former co-star … Read more