Cannes 2024: Megalopolis, Bird, The Damned, Meeting with Pol Pot | Festivals & Awards
After “Megalopolis,” I am at a loss as to what to do with Andrea Arnold’s “Bird,” whose central quirk is to start from her usual mode of kitchen-sink realism (“Fish Tank”) and then to add an element of the surreal—namely, a character named Bird (Franz Rogowski), a mysterious, ethereal, skirt-wearing man who is looking for his … Read more
