In 1996, Brian De Palma’s stylish Mission: Impossible hit the screen right in the middle of a summer packed with blockbusters — Twister and Independence Day, among others. Even then, it still managed to rake in $457 million worldwide on the back of Tom Cruise’s star power. While many were put off by the film’s confusing storyline, enough excitement was generated to warrant five sequels — and counting.
Now, nearly 30 years after the original, Mission: Impossible—Dead Reckoning Part 1 is has been released, providing us with another exciting dose of stunts, action, and Tom Cruise running really fast. Now felt like as good a time as any to rank all seven current entries in the ongoing franchise. Your mission, should you choose to … you know, is to check out the following list (ranked from worst to best).
7.Mission: Impossible II
John Woo was the wrong man to helm Mission: Impossible. While the action scenes in the bloated 2000 sequel are occasionally quite glorious and perfectly in line with the Hong Kong director’s trademark style, they tend to clash with the murkier world of espionage established in Brian De Palma’s original film. Ethan Hunt morphs from low-key superspy to full-on action hero — he’s more James Bond than IMF Agent — and all but leaves his teammates in the dust while he takes on Dougray Scott’s flavorless villain and shags Thandiwe Newton’s sexy love interest, Nyah.
High points include a wild shootout in a chemical lab and an absurd motorcycle chase that’s more or less designed to make Tom Cruise look really cool. The actor certainly commits to his performance, but Ethan is so drastically different here than he was in 1996’s Mission: Impossible that he’s practically an all-new character.
And boo on whoever thought it was a good idea to sideline Ving Rhames’ Luther Stickell for a majority of the fun.
6.Mission: Impossible III
As is the case with most JJ Abrams productions, Mission: Impossible III looks great and moves at a brisk pace. The action feels more grounded than before, the stunts more spectacular, and the script goes to great pains to make Ethan an actual human being rather than an indestructible superhero. Plus, Philip Seymour Hoffman all but steals the show as the villainous Owen Davian.
Alas, as is also the case with most JJ Abrams projects, much of what you see feels like remixed scenes from better movies. The central MacGuffin — aka, the Rabbit’s Foot — is never fully explained and the romantic subplot between Ethan and Michelle Monaghan’s Julia Meade feels like it was ripped straight out of Alias.
Tom Cruise does his best to elevate the material with an emotional (and physically daunting) performance, though it’s frustrating to see our hero ditch his rock star team — consisting of Maggie Q, Jonathan Rhys Meyers, and Ving Rhames — for the third time in as many films so he can solo tackle Billy Crudup’s corrupt (and predictable) IMF turncoat.
5. Mission: Impossible – Dead Reckoning Part One
There comes a point where every franchise runs out of ideas or “jumps the shark,” as the expression goes. Thankfully, Mission: Impossible hasn’t reached that moment, but the latest entry places it on a course toward the inevitable. After six action-driven espionage films, Tom Cruise decided that the only possible foe capable of defeating the mighty Ethan Hunt is an artificial intelligence “entity” that can be as smart or dumb as the plot requires. The AI angle is not as terrible as invisible cars or James Bond in space, but I never expected Mission: Impossible to take inspiration from movies like Eagle Eye or Avengers: Age of Ultron.
Still, we’ve never flocked to Mission: Impossible for its high-minded plots. They exist to string together clever bits of deception and gnarly Tom Cruise stunts, and Dead Reckoning delivers on that front. While the spectacle on display, including a wild action sequence set on a train, doesn’t quite surpass anything in Fallout, Rogue Nation, or Ghost Protocol, it still looks impressive. Thanks to a reliance on practical effects instead of excessive digital effects, it feels more grounded than most modern Hollywood fare.
Dead Reckoning’s mistakes come between the action, where our heroes spend far too long setting up the next set piece. While the payoff almost always delivers, the nonstop exposition disrupts the pacing. Clocking in at two hours and forty-five minutes, the seventh entry is easily the longest in the franchise, unnecessarily so. A solid two-hour movie exists within the bloated runtime—one that gets to the high points faster and moves at a crisper pace. At this point, it’s common knowledge that every Mission: Impossible movie is made up on the spot, but for the first time, that improvisational approach works against the picture as writer/director Christopher McQuarrie struggles to connect all the dots.
Putting the negatives aside, this is still high-quality entertainment. Cruise remains charismatic, while newcomer Hayley Atwell steals the show as a conniving but ultimately likable thief. Her scenes with Cruise, including a wild car chase through Venice, are a real treat. Sadly, Atwell’s presence short-changes longtime stalwarts Simon Pegg and Ving Rhames, who don’t have much to do in this go-round. Moreover, Rebecca Ferguson’s delectable Ilsa Faust also takes a backseat to the film’s detriment. It’s weird to see such beloved characters discarded as secondary players.
Again, this is by no means a bad film. Dead Reckoning is on par with Across the Spider-Verse and Dungeons & Dragons as one of the summer’s most entertaining movies. However, Cruise has set the bar so high in recent years with the last three Mission: Impossible films and Top Gun: Maverick that anything less than perfection feels like an underachievement. In other words, we’ve been spoiled.
Now, let’s hope Dead Reckoning Part Two lives up to the hype.
4. Mission: Impossible—Ghost Protocol
Despite a solid start way back in the mid-90s, the Mission: Impossible franchise didn’t really find its stride until Brad Bird’s 2011 Mission: Impossible — Ghost Protocol. Not only did the fourth film finally force Cruise to share the screen with his unbelievably likeable castmates — Jeremy Renner, Paula Patton, and Simon Pegg — but it’s the first one that allows the actor to fully embrace the daredevil persona that has since become something of a trademark for the superstar. In this case, Cruise ascends Dubai’s Burj Khalifa in a thrilling set piece that induces as many gasps as it does cheers.
The plot, for what it’s worth, doesn’t stick mostly due to Michael Nyqvist’s expressionless villain. There are a number of scenes — notably an extended bit featuring Bollywood star Anil Kapoor — that probably could have been whittled down to improve the meandering pacing; and Michael Giacchino’s score lacks the necessary punch required to really drive home the action (particularly in the third act).
All in all, though, Ghost Protocol makes for a fun time at the movies and entertains more than it has any right to.
3. Mission: Impossible
I’ve always been a sucker for Brian De Palma’s Mission: Impossible from 1996, aka the one that started it all. Despite a convoluted plot and a third act finale that jettisons smarts in favor of big, dumb action, Mission: Impossible dazzles with its brilliant set pieces, shocking twists and turns (no matter how contrived), and carefully constructed intrigue.
In hindsight, it was a mistake to turn good ol’ Jim Phelps (Jon Voight) into a bitter traitor — a plot point likely created to let Ethan fly solo — but as a standalone feature separate from the Mission: Impossible TV series, the twist works quite brilliantly as presented. Even now, nothing beats that now iconic heist at the CIA’s headquarters. Plus, how do you top a killer cast that includes Voight, Ving Rhames, Emmanuelle Béhart, Jean Reno, and Vanessa Redgrave?
2. Mission: Impossible—Fallout
Mission: Impossible — Fallout will likely go down as one of the greatest action films ever made. From start to finish, Christopher McQuarrie’s spy caper moves at a breakneck speed (aided by Lorne Balfe’s terrific score) and delivers incredible set piece after incredible set piece. By the time the credits roll, you’re just as exhausted as Ethan Hunt!
The only reason Fallout doesn’t top the list is mostly due to A) my near insane love of Rogue Nation, B) the film’s questionable mishandling of Henry Cavill’s brutish villain, and C) a plot that all too freely borrows elements from previous Mission installments (another rogue agent?). Ethan’s team must once again detach from the IMF, and most of the heavy lifting is done by our main man (who else will hang upside from a helicopter?).
Still, the various chases, fights, stunts, and shootouts are top notch. A bathroom brawl between Hunt, Walker (Cavill), and a mark kicks all kinds of ass, while that motorcycle chase through London and the climactic helicopter chase are absolutely stunning to behold. Tom Cruise really is the last true superstar.
1. Mission: Impossible—Rogue Nation
I freely admitted I’ve seen Mission: Impossible — Rogue Nation at least a hundred times. There’s such an electrifying energy about the production — it’s almost Hitchcockian — that you can’t help but marvel at the sights and sounds radiating from the TV. The opening sequence, in which Tom Cruise hangs off the side of a plane, is perhaps the most ambitious of any non-Indiana Jones film; and the various missions executed throughout the swift 130-minute runtime are striking in their own unique ways. Who can forget the opera scene? Or when Cruise reverse crunches his way up a pole? Or that crazy underwater bit? Or that high-octane motorcycle chase? It all looks and feels so real, it’s easy to forget you’re watching a movie.
If all the wild stunts weren’t enough, the incredible cast — namely Cruise, Jeremy Renner, Ving Rhames, Simon Pegg, and Alec Baldwin — inject the mayhem with a much-needed dose of humor and quirky personality. Though, really, Rogue Nation belongs to Rebecca Fergsuon’s Ilsa Faust and Sean Harris’ sneering baddie Solomon Lane, who thankfully stuck around for the subsequent sequel.
Also, Joe Kraemer provides the best score of the series, whilst Christopher McQuarrie’s hard-hitting action and breathtaking scope consistently wow. At some point, film scholars will look back at the Mission: Impossible franchise as a whole and point to Rogue Nation as the one that truly knocked it out of the park.