Fear, Hope, and Joy: Ramata-Toulaye Sy on Banel and Adama | Interviews
They were very real. And I always have to explain that we didn’t kill them. They were already dead and we saved a lot of money because of that. That leads me to the magical realism component, which almost borders on horror in nature—especially with the single-note piano score. I worked with Bachar Khalifé on … Read more