Elijah Wood and Ant Timpson on the Childlike Charms of Bookworm | Interviews

Elijah Wood: For me, the biggest challenge with Strawn was [learning the magic tricks]. There are a couple of moments in the film where specific magic tricks give you a sense of his real ability. For me, the most important thing was to be believable. That came down to card dexterity, to show that I’m comfortable with … Read more

Levan Akin on Making Films His Way, the Queer Art That Shaped Him, and His Touching New Drama Crossing | Interviews

Because of the death threats you got for “And Then We Danced,” were you worried going into making “Crossing”? I wasn’t worried, actually. My producer Mathilde Dedye, who I worked very closely with, took precautions just in case, but Georgia is a very safe country, and the people are very, very open. Those people who … Read more

All About Suspense: Damian McCarthy on Oddity | Interviews

With the mannequin, specifically, it’s seated at the main table for much of “Oddity,” but you find ways to establish this sense of an uncanny energy emanating from it. There’s something creepy and powerful about the mannequin, and I’m curious what you wanted out of its appearance and positioning through “Oddity.”  We were trying to … Read more

Ibrahim Nash’at Filmed the Taliban Up Close for a Year. ‘Hollywoodgate’ Was the Harrowing Result. | Interviews

I imagine many will see “Hollywoodgate” because they’re curious about what the Taliban’s seizure of this base looked like. But they’ll also notice the glaring absence of the U.S. military—you only see the weapons and the personal items that soldiers left behind. And that absence is damning. This is a movie about antagonism from both … Read more

Jan de Bont on Flying Cows, Philip Seymour Hoffman and the Enduring Appeal of ‘Twister’ | Interviews

When you made “Twister,” how concerned were you about the science being accurate? You didn’t stress out about that since you wanted to create a fun, escapist summer movie. It is supposed to be fun, absolutely. But viewers have seen tornadoes on TV, so I felt that I have to make them look real. Otherwise, … Read more

High Noon: Greg Kwedar and Monique Walton On Sing Sing | Interviews

While Kwedar and Bentley make a formidable team, they would not have made the film without the help of producer Monique Walton (“Bull”), who believes in their equitable profit-sharing system. During the Chicago Critics Film Festival, RogerEbert.com spoke with Kwedar and Walton in person about trusting actors, deciding to film in a real prison, and … Read more

On The Same Level: Paul Raci, Clarence Maclin, and Sean Johnson on Sing Sing | Interviews

CM: We’re getting military uniforms now.  SDJ: They’re bringing in little fake weapons. Of course, at the end of the evening, they were very strict about how they accounted for everything. It was just amazing to watch that happen in a matter of time and to witness people’s perception of the formerly incarcerated change. The … Read more

Leaving A Mark Behind: Kevin Costner on Horizon: An American Saga – Chapter 1 | Interviews

That’s certainly his hope, at least, with “Horizon: An American Saga – Chapter 1” finally galloping into theaters this week. Ahead of the release, Costner sat down with RogerEbert.com to reflect on his reasons for revisiting the West on such a massive canvas, the influence of John Ford’s filmmaking on his own, and what he … Read more