Is there some sort of a one-upmanship with oner sequences between you and your stuntman-turned-directors peers? We’re fairly insular when we go into creative mode, we just want to do what’s good…
Is there some sort of a one-upmanship with oner sequences between you and your stuntman-turned-directors peers? We’re fairly insular when we go into creative mode, we just want to do what’s good…