The Imperiled Women of Alex Garland’s Films | Features
Indeed, “Annihilation” comments on feminism by not commenting on it, flipping “Stalker”’s premise by having its protagonists be women, whereas Tarkovsky populated his odyssey with brooding men. Garland doesn’t include a single scene in which skeptical men wonder how these ladies are going to pull off their mission. Lena and her colleagues never have to … Read more