‘To Live and Die in L.A.’s Car Chase Is More Than an Action Scene
It’s 1985, and director William Friedkin has just about finished production on his latest cop thriller, To Live and Die in L.A. With principle photography winding down, there’s only one thing left to shoot: A car chase sequence that would provide a crucial boost of adrenaline to the movie’s final act. Friedkin was no stranger to car … Read more